urb-urb sand printers inside israeli pavilion at the venice architecture biennale

urb-urb sand printers inside israeli pavilion at the venice architecture biennale

Kenyatta International Conference Center, Nairobi, Kenya. 1966–1973. Architect: Karl Henrik Nøstvik. Photo by Iwan Baan.

Kenyatta International Conference Center, Nairobi, Kenya. 1966–1973. Architect: Karl Henrik Nøstvik. Photo by Iwan Baan.

Israel Pavilion @ #venice #architecture biennale. #theurburb. Photograph by Francesco Allegretto http://www.archipanic.com/the-urburb/

Israel Pavilion @ #venice #architecture biennale. #theurburb. Photograph by Francesco Allegretto http://www.archipanic.com/the-urburb/

Israel Pavilion @ #venice #architecture biennale. #theurburb. Photograph by Francesco Allegretto http://www.archipanic.com/the-urburb/

Israel Pavilion @ #venice #architecture biennale. #theurburb. Photograph by Francesco Allegretto http://www.archipanic.com/the-urburb/

Nordic Pavilion @ Venice Architecture Biennale 2014.  Zambia World Bank Education Project. Architect: Gunnar Hyll. Schools all over Zambia 1971-1978. Photo by Mette Tronvoll

Nordic Pavilion @ Venice Architecture Biennale 2014. Zambia World Bank Education Project. Architect: Gunnar Hyll. Schools all over Zambia 1971-1978. Photo by Mette Tronvoll

Nordic Pavilion @ Venice Architecture Biennale 2014. Kenyatta International Conference Center, Nairobi, Kenya. 1966–1973. Architect: Karl Henrik Nøstvik. Photo by Iwan Baan.

Nordic Pavilion @ Venice Architecture Biennale 2014. Kenyatta International Conference Center, Nairobi, Kenya. 1966–1973. Architect: Karl Henrik Nøstvik. Photo by Iwan Baan.

#Kosovo never absorbed Modernity. It has been imposed as an act of violence” comment curator Gëzim Paçarizi in #venice.

#Kosovo never absorbed Modernity. It has been imposed as an act of violence” comment curator Gëzim Paçarizi in #venice.

A spikey tower made by 692 wooden stools raises as a symbol of the erasure of regional identiy at #Kosovo Pavilion in #Venice #architecture. http://www.archipanic.com/imposed-modernity/

A spikey tower made by 692 wooden stools raises as a symbol of the erasure of regional identiy at #Kosovo Pavilion in #Venice #architecture. http://www.archipanic.com/imposed-modernity/

A spikey tower made by 692 wooden stools raises as a symbol of the erasure of regional identiy at #Kosovo Pavilion in #Venice #architecture. http://www.archipanic.com/imposed-modernity/

A spikey tower made by 692 wooden stools raises as a symbol of the erasure of regional identiy at #Kosovo Pavilion in #Venice #architecture. http://www.archipanic.com/imposed-modernity/

Israel Pavilion @ #venice #architecture biennale. #theurburb. Photograph by Francesco Allegretto http://www.archipanic.com/the-urburb/

Israel Pavilion @ #venice #architecture biennale. #theurburb. Photograph by Francesco Allegretto http://www.archipanic.com/the-urburb/

Pinterest
Cerca