VALIE EXPORT Ob/De+Con(Struction) - Exhibition Catalogue  This exhibition surveys thirty-five years of EXPORT's career. On view in both the Goldie Paley and Levy Galleries, it features work that illustrates each of the artist's significant visual investigations: objects, posters, and photographic documentation of body performances; conceptual photography; expanded cinema; experimental film and video works; and sculptural installations; as well as a selection of short and feature-length…

VALIE EXPORT Ob/De+Con(Struction) - Exhibition Catalogue This exhibition surveys thirty-five years of EXPORT's career. On view in both the Goldie Paley and Levy Galleries, it features work that illustrates each of the artist's significant visual investigations: objects, posters, and photographic documentation of body performances; conceptual photography; expanded cinema; experimental film and video works; and sculptural installations; as well as a selection of short and feature-length…

Interview with VALIE EXPORT in Interview Magazine

Interview with VALIE EXPORT in Interview Magazine

Syntagma (1983) - VALIE EXPORT  Full film here : http://vk.com/video196237_170185401

Syntagma (1983) - VALIE EXPORT Full film here : http://vk.com/video196237_170185401

This exhibition presented a thirty-year survey of photographs and videos documenting VALIE EXPORT’s early performance works, digital and conceptual photography, expanded cinema, large-scale video installations, and films. Ob/De+Con(Struction) was organized by Elsa Longhauser for the Goldie Paley Gallery at Moore College of Art and Design, Philadelphia.

This exhibition presented a thirty-year survey of photographs and videos documenting VALIE EXPORT’s early performance works, digital and conceptual photography, expanded cinema, large-scale video installations, and films. Ob/De+Con(Struction) was organized by Elsa Longhauser for the Goldie Paley Gallery at Moore College of Art and Design, Philadelphia.

Encirclement from the series Body Configurations In these works, EXPORT, a self-proclaimed feminist, used her body as a measuring and pointing device, encircling the curve of a curb or conforming to the angle of a corner—actions designed to defy the conformist culture of her native Austria in the postwar period. Most of the pictures from this series, Körperkonfigurationen (Body Configurations), are accentuated with black or red lines added in ink to the print.

Encirclement from the series Body Configurations In these works, EXPORT, a self-proclaimed feminist, used her body as a measuring and pointing device, encircling the curve of a curb or conforming to the angle of a corner—actions designed to defy the conformist culture of her native Austria in the postwar period. Most of the pictures from this series, Körperkonfigurationen (Body Configurations), are accentuated with black or red lines added in ink to the print.

the voice as performance, act and body (Videostill), 2007  More info : http://www.valieexport.at/fileadmin/medienablage/Biennale_Text_VALIE_EXPORT_e.pdf

the voice as performance, act and body (Videostill), 2007 More info : http://www.valieexport.at/fileadmin/medienablage/Biennale_Text_VALIE_EXPORT_e.pdf

Live performance. 2 July 1970. Frankfurt. VALIE EXPORT had a garter tattooed on her thigh. Kristine Stiles writes- It is, as EXPORT has written, a permanent sign for "repressed sexuality...that demands conditioned behaviour," and a constant reminder to the artist to "keep alive the problem of self-determination and/or other-determination of femininity."

Live performance. 2 July 1970. Frankfurt. VALIE EXPORT had a garter tattooed on her thigh. Kristine Stiles writes- It is, as EXPORT has written, a permanent sign for "repressed sexuality...that demands conditioned behaviour," and a constant reminder to the artist to "keep alive the problem of self-determination and/or other-determination of femininity."

Autohypnose (Autohypnosis) (1969)

Autohypnose (Autohypnosis) (1969)

Gary Hill - Crux (1993)

Gary Hill - Crux (1993)

Syntagma concerns itself with the objective and the subjective, with self-awareness and the perception of and by others. Here our female subject (and again EXPORT uses intermittent nudity as means of underlining her femininity) is represented through various representations; her image being repeated, rhymed, echoed and divided through split screens..."

Syntagma concerns itself with the objective and the subjective, with self-awareness and the perception of and by others. Here our female subject (and again EXPORT uses intermittent nudity as means of underlining her femininity) is represented through various representations; her image being repeated, rhymed, echoed and divided through split screens..."

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