Cycladic art artifacts

Cycladic marble statue - Cycladic idol - Spedos type - Dokathismata type
6 Pin109 Follower
Cycladic marble idol of a reclining female, early Spedos type, Early Bronze Age II, 2600-2500 B.C. Stylized nude figure, arms are folded beneath breasts, slender lyre shaped nose and long oval neck, incised details with traces of red pigment and strong root marks. The vast majority of these striking Cycladic idols are female and some archaeologists believe that they express supplication or prayer because their faces look upward, 24.6 cm high. Private collection

Cycladic marble idol of a reclining female, early Spedos type, Early Bronze Age II, 2600-2500 B.C. Stylized nude figure, arms are folded beneath breasts, slender lyre shaped nose and long oval neck, incised details with traces of red pigment and strong root marks. The vast majority of these striking Cycladic idols are female and some archaeologists believe that they express supplication or prayer because their faces look upward, 24.6 cm high. Private collection

Cycladic marble head, late Spedos type, Early Cycladic II, 2500-2400 B.C. From a large reclining figure, sculpted with a lyre shaped head, chin rounded, the long triangular nose well centered, the neck flaring slightly and off set from the head by a shallow groove, 15.9 cm high. Private collection

Cycladic marble head, late Spedos type, Early Cycladic II, 2500-2400 B.C. From a large reclining figure, sculpted with a lyre shaped head, chin rounded, the long triangular nose well centered, the neck flaring slightly and off set from the head by a shallow groove, 15.9 cm high. Private collection

Cycladic marble figure of a goddess, Early Bronze Age II, 2600-2500 B.C. Of early Spedos type, lying with her arms folded above her pregnant belly, with grooved details in front and in back, and with slightly arched feet, sloping shoulders, tapering neck, and lyre-shaped head with convex facial plane, 27 cm high. Private collection

Cycladic marble figure of a goddess, Early Bronze Age II, 2600-2500 B.C. Of early Spedos type, lying with her arms folded above her pregnant belly, with grooved details in front and in back, and with slightly arched feet, sloping shoulders, tapering neck, and lyre-shaped head with convex facial plane, 27 cm high. Private collection

Electrum Kilia type idol, late 4th-3rd millennium B.C. Anatolian. These idols are named after a fi gurine from a site near Gallipoli, in the Chersonese, on the European banks of the Strait of the Dardanelles. Their form is very homogenous,  6 cm to 23 cm, the typology is characterized by a great stability of schema,  contrary to the examples of Cycladic statuettes that are partially contemporary and geographically close to Kilia idols, 4.4 cm high. Private collection

Electrum Kilia type idol, late 4th-3rd millennium B.C. Anatolian. These idols are named after a fi gurine from a site near Gallipoli, in the Chersonese, on the European banks of the Strait of the Dardanelles. Their form is very homogenous, 6 cm to 23 cm, the typology is characterized by a great stability of schema, contrary to the examples of Cycladic statuettes that are partially contemporary and geographically close to Kilia idols, 4.4 cm high. Private collection

Cycladic marble figurine of the Dokathismata type,  second half of the 3rd millennium B.C. 2400-2100 B.C. Dokathismata type, compared to the statuettes of the Spedos type, the most common and renowned version, characterized by fi nely modeled and somewhat rounded shapes, have a definitely more slender silhouette, sometimes angular, but whose general appearance conveys an impression of formal elegance, 21 cm high. Private collection

Cycladic marble figurine of the Dokathismata type, second half of the 3rd millennium B.C. 2400-2100 B.C. Dokathismata type, compared to the statuettes of the Spedos type, the most common and renowned version, characterized by fi nely modeled and somewhat rounded shapes, have a definitely more slender silhouette, sometimes angular, but whose general appearance conveys an impression of formal elegance, 21 cm high. Private collection

Cycladic marble figure of a goddess, attributed to the Rodgers Sculptor, Early Bronze Age II, circa 2500-2400 B.C. Lying with her arms folded beneath her breasts, with stout neck, lyre-shaped head, aquiline nose, and high straight forehead, the paint ghost of the left eye visible, 41.3 cm high. Private collection

Cycladic marble figure of a goddess, attributed to the Rodgers Sculptor, Early Bronze Age II, circa 2500-2400 B.C. Lying with her arms folded beneath her breasts, with stout neck, lyre-shaped head, aquiline nose, and high straight forehead, the paint ghost of the left eye visible, 41.3 cm high. Private collection


Altre idee
Xu Beihong and Qi Baishi: Grazing Horse (1986.267.192) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

Xu Beihong and Qi Baishi: Grazing Horse (1986.267.192) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

...Xu Beihong

...Xu Beihong

徐悲鸿_骏马2 by China Online Museum - Chinese Art Galleries, via Flickr

徐悲鸿_骏马2 by China Online Museum - Chinese Art Galleries, via Flickr

【 徐悲鸿《天马行空》 】 徐悲鸿画马多是借以抒发郁结难言的悲愤和爱国忧世之情,他画马注重刻画骨骼和肌肉结构,有着一定的写意成分,往往是挥墨一气呵成,人们常用“一洗万古凡马空”来称赞其笔下的骏马,矫健的身姿,高昂的头,奔出嘶鸣千里的气势,体现出一种迅疾的速度、力量和雄壮的美。

【 徐悲鸿《天马行空》 】 徐悲鸿画马多是借以抒发郁结难言的悲愤和爱国忧世之情,他画马注重刻画骨骼和肌肉结构,有着一定的写意成分,往往是挥墨一气呵成,人们常用“一洗万古凡马空”来称赞其笔下的骏马,矫健的身姿,高昂的头,奔出嘶鸣千里的气势,体现出一种迅疾的速度、力量和雄壮的美。

Chanel perfume pillows

Chanel perfume pillows

Xu Beihong (1895-September 26, 1953) was born in Yixing, China. He was primarily known for his shuimohua (Chinese ink paintings) of horses and birds and one of the first Chinese artists to articulate the need for artistic expressions that reflected a new modern China at the beginning of the 20th century. He was also regarded as one of the first to create monumental oil paintings with epic Chinese themes - a show of his high proficiency in an essential Western art technique.

Xu Beihong (1895-September 26, 1953) was born in Yixing, China. He was primarily known for his shuimohua (Chinese ink paintings) of horses and birds and one of the first Chinese artists to articulate the need for artistic expressions that reflected a new modern China at the beginning of the 20th century. He was also regarded as one of the first to create monumental oil paintings with epic Chinese themes - a show of his high proficiency in an essential Western art technique.

Xu Beihong: Self-portrait

Xu Beihong: Self-portrait

Galloping Horse - Modern Chinese Brush and Ink Painting | Chinese ink horse paintings

Galloping Horse - Modern Chinese Brush and Ink Painting

Galloping Horse - Modern Chinese Brush and Ink Painting | Chinese ink horse paintings

Galloping Horse - Xu Beihong

Galloping Horse - Xu Beihong

original horse painting chinese painting ink painting  by art68, $54.00

original horse painting chinese painting ink painting oriental art chinese art -galloping horses No.15

original horse painting chinese painting ink painting by art68, $54.00

Pinterest
Cerca