Gucci by Frida Giannini

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Gucci Spring Summer 2012 – The art deco aesthetics and the architecture of historic skyscrapers of New York are reproduced on the lamé flapper dress of the jazz era. The geometric patterns of short jackets are matched with the black and gold military uniforms or the evening gowns featured by long fringes reminding to some photos of Peggy Guggenheim.

Gucci Spring Summer 2012 – The art deco aesthetics and the architecture of historic skyscrapers of New York are reproduced on the lamé flapper dress of the jazz era. The geometric patterns of short jackets are matched with the black and gold military uniforms or the evening gowns featured by long fringes reminding to some photos of Peggy Guggenheim.

Gucci Spring Summer 2013 – With this collection Frida gained the peak of success and was not a coincidence that the stages of preparation of the show became the main subject of the fashion documentary “The Director” by James Franco. The collection is a return to the origins, the 60s, with the freshness of Marisa Berenson and Benedetta Barzini in the photos by Irving Penn and GianPaolo Barbieri, with solid color suits from head to toe and Liz Taylor’s showy jewels.

Gucci Spring Summer 2013 – With this collection Frida gained the peak of success and was not a coincidence that the stages of preparation of the show became the main subject of the fashion documentary “The Director” by James Franco. The collection is a return to the origins, the 60s, with the freshness of Marisa Berenson and Benedetta Barzini in the photos by Irving Penn and GianPaolo Barbieri, with solid color suits from head to toe and Liz Taylor’s showy jewels.

Gucci Autumn Winter 2011 – It’s still color block, but in winter version thanks to the strong contrast of complementary colors of accessories such as wide-brimmed fedora hats, fox stoles and python bags, matching with layers of fur coats, jackets, blouses and male baggy pants in full 70s mood.

Gucci Autumn Winter 2011 – It’s still color block, but in winter version thanks to the strong contrast of complementary colors of accessories such as wide-brimmed fedora hats, fox stoles and python bags, matching with layers of fur coats, jackets, blouses and male baggy pants in full 70s mood.

Gucci Autumn Winter 2011 – It’s still color block, but in winter version thanks to the strong contrast of complementary colors of accessories such as wide-brimmed fedora hats, fox stoles and python bags, matching with layers of fur coats, jackets, blouses and male baggy pants in full 70s mood.

Gucci Autumn Winter 2011 – It’s still color block, but in winter version thanks to the strong contrast of complementary colors of accessories such as wide-brimmed fedora hats, fox stoles and python bags, matching with layers of fur coats, jackets, blouses and male baggy pants in full 70s mood.

Gucci Spring Summer 2013 – With this collection Frida gained the peak of success and was not a coincidence that the stages of preparation of the show became the main subject of the fashion documentary “The Director” by James Franco. The collection is a return to the origins, the 60s, with the freshness of Marisa Berenson and Benedetta Barzini in the photos by Irving Penn and GianPaolo Barbieri, with solid color suits from head to toe and Liz Taylor’s showy jewels.

Gucci Spring Summer 2013 – With this collection Frida gained the peak of success and was not a coincidence that the stages of preparation of the show became the main subject of the fashion documentary “The Director” by James Franco. The collection is a return to the origins, the 60s, with the freshness of Marisa Berenson and Benedetta Barzini in the photos by Irving Penn and GianPaolo Barbieri, with solid color suits from head to toe and Liz Taylor’s showy jewels.

Gucci Fall Winter 2012 was one of the most beautiful collection made by Frida Giannini. The 60s and 70s fashion gives way to the introspection of the “poètes maudits”, the sensitivity of Rimbaud and the colors of pre-Raphaelite women whose pale skin is wrapped in velvet, jacquard or damask robes, and the intense eyes are framed by long loose hair  and sensual lips red like fire.

Gucci Fall Winter 2012 was one of the most beautiful collection made by Frida Giannini. The 60s and 70s fashion gives way to the introspection of the “poètes maudits”, the sensitivity of Rimbaud and the colors of pre-Raphaelite women whose pale skin is wrapped in velvet, jacquard or damask robes, and the intense eyes are framed by long loose hair and sensual lips red like fire.

Gucci Fall Winter 2012 was one of the most beautiful collection made by Frida Giannini. The 60s and 70s fashion gives way to the introspection of the “poètes maudits”, the sensitivity of Rimbaud and the colors of pre-Raphaelite women whose pale skin is wrapped in velvet, jacquard or damask robes, and the intense eyes are framed by long loose hair  and sensual lips red like fire.

Gucci Fall Winter 2012 was one of the most beautiful collection made by Frida Giannini. The 60s and 70s fashion gives way to the introspection of the “poètes maudits”, the sensitivity of Rimbaud and the colors of pre-Raphaelite women whose pale skin is wrapped in velvet, jacquard or damask robes, and the intense eyes are framed by long loose hair and sensual lips red like fire.

Gucci Fall Winter 2012 was one of the most beautiful collection made by Frida Giannini. The 60s and 70s fashion gives way to the introspection of the “poètes maudits”, the sensitivity of Rimbaud and the colors of pre-Raphaelite women whose pale skin is wrapped in velvet, jacquard or damask robes, and the intense eyes are framed by long loose hair  and sensual lips red like fire.

Gucci Fall Winter 2012 was one of the most beautiful collection made by Frida Giannini. The 60s and 70s fashion gives way to the introspection of the “poètes maudits”, the sensitivity of Rimbaud and the colors of pre-Raphaelite women whose pale skin is wrapped in velvet, jacquard or damask robes, and the intense eyes are framed by long loose hair and sensual lips red like fire.

Gucci Spring Summer 2012 – The art deco aesthetics and the architecture of historic skyscrapers of New York are reproduced on the lamé flapper dress of the jazz era. The geometric patterns of short jackets are matched with the black and gold military uniforms or the evening gowns featured by long fringes reminding to some photos of Peggy Guggenheim.

Gucci Spring Summer 2012 – The art deco aesthetics and the architecture of historic skyscrapers of New York are reproduced on the lamé flapper dress of the jazz era. The geometric patterns of short jackets are matched with the black and gold military uniforms or the evening gowns featured by long fringes reminding to some photos of Peggy Guggenheim.

Gucci Spring Summer 2012 – The art deco aesthetics and the architecture of historic skyscrapers of New York are reproduced on the lamé flapper dress of the jazz era. The geometric patterns of short jackets are matched with the black and gold military uniforms or the evening gowns featured by long fringes reminding to some photos of Peggy Guggenheim.

Gucci Spring Summer 2012 – The art deco aesthetics and the architecture of historic skyscrapers of New York are reproduced on the lamé flapper dress of the jazz era. The geometric patterns of short jackets are matched with the black and gold military uniforms or the evening gowns featured by long fringes reminding to some photos of Peggy Guggenheim.

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