Leonardo da Vinci - detail

Leonardo da Vinci - detail

ANDREA MANTEGNA (1431-1506) – One of the greatest exponents of the Quattrocento, interested in the human figure, which he often represented under extreme perspectives ("The Dead Christ")

ANDREA MANTEGNA (1431-1506) – One of the greatest exponents of the Quattrocento, interested in the human figure, which he often represented under extreme perspectives ("The Dead Christ")

Andrea del Verrocchio, The Young David  1473/ 1475  Bronze, height 125 cm  Museo Nazionale del Bargello, Florence

Andrea del Verrocchio, The Young David 1473/ 1475 Bronze, height 125 cm Museo Nazionale del Bargello, Florence

Mantegna, Foreshortened Christ (Lamentation over the Dead Christ), c.1500

Mantegna, Foreshortened Christ (Lamentation over the Dead Christ), c.1500

Andrea Mantegna - Camera degli Sposi, 1465-74 in Castel San Giorgio, Padova

Andrea Mantegna - Camera degli Sposi, 1465-74 in Castel San Giorgio, Padova

Andrea Mantegna, Minerva Expelling the Vices from the Garden of Virtue, detail. 1502 on ArtStack #andrea-mantegna #art

Andrea Mantegna, Minerva Expelling the Vices from the Garden of Virtue, detail. 1502 on ArtStack #andrea-mantegna #art

The Court of Gonzaga   Andrea Mantegna

The Court of Gonzaga Andrea Mantegna

Antonello_da_Messina_012.jpg (3303×4226)

Antonello_da_Messina_012.jpg (3303×4226)

Antonello da Messina, properly Antonello di Giovanni di Antonio (c. 1430 – February 1479), was an Italian painter from Messina, Sicily, active during the Italian Renaissance. His work shows strong influences from Early Netherlandish painting although there is no documentary evidence that he ever travelled beyond Italy. Unusually for a south Italian artist, his work proved influential on painters in northern Italy, especially in Venice.

Antonello da Messina, properly Antonello di Giovanni di Antonio (c. 1430 – February 1479), was an Italian painter from Messina, Sicily, active during the Italian Renaissance. His work shows strong influences from Early Netherlandish painting although there is no documentary evidence that he ever travelled beyond Italy. Unusually for a south Italian artist, his work proved influential on painters in northern Italy, especially in Venice.


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The Court of Gonzaga (detail) 1465-74 Walnut oil on plaster Camera degli Sposi, Palazzo Ducale, Mantua

The Court of Gonzaga (detail) 1465-74 Walnut oil on plaster Camera degli Sposi, Palazzo Ducale, Mantua

Il cristo del Mantegna. Trovo incredibile il punto di vista: geniale. A Milano pinacoteca di Brera

Il cristo del Mantegna. Trovo incredibile il punto di vista: geniale. A Milano pinacoteca di Brera

Antonello da Messina | La Madonna leggente/Annunziata/Virgin Annunciate, ca 1475, oil on wood, probably painted in Sicily. Housed in the Regional Gallery of Palazzo Abatellis, Palermo, southern Italy.

Antonello da Messina | La Madonna leggente/Annunziata/Virgin Annunciate, ca 1475, oil on wood, probably painted in Sicily. Housed in the Regional Gallery of Palazzo Abatellis, Palermo, southern Italy.

Detail from Minerva chasing The Vices from the Gardens of Virtue/Minerve chassant les Vices du Jardin de la Vertu. Painting by Andrea Mantegna.

Detail from Minerva chasing The Vices from the Gardens of Virtue/Minerve chassant les Vices du Jardin de la Vertu. Painting by Andrea Mantegna.

Andrea Mantegna. Detail from Triumph of Virtues, Minerva Expelling the Vices from the Garden of Virtue, 1502.

Andrea Mantegna. Detail from Triumph of Virtues, Minerva Expelling the Vices from the Garden of Virtue, 1502.

Andrea Mantegna c. 1499-1502 Pallas Expelling the Vices from the Garden of Virtue

Andrea Mantegna c. 1499-1502 Pallas Expelling the Vices from the Garden of Virtue

.:. Detail of Mantegna's fantastic Minerva Expelling the Vices from the Garden of Virtue of 1502. Painted for the studiolo of Isabella d'Este. Galleries of the Louvre.  'Otia si tollas, periere Cupidinis arcus'   (Eliminate idleness and the bow of Cupid will lose its power) Ovid, Remedia Amoris, line 139.

.:. Detail of Mantegna's fantastic Minerva Expelling the Vices from the Garden of Virtue of 1502. Painted for the studiolo of Isabella d'Este. Galleries of the Louvre. 'Otia si tollas, periere Cupidinis arcus' (Eliminate idleness and the bow of Cupid will lose its power) Ovid, Remedia Amoris, line 139.

The Mona Lisa by gbcake

The Mona Lisa by gbcake

Virgin+of+the+Annunciation,+1473+-+Antonello+da+Messina

Virgin+of+the+Annunciation,+1473+-+Antonello+da+Messina

Antonello da Messina - Détail -

Antonello da Messina - Détail -

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